Our paper focuses on how a growing political response to calls for dramatic decarbonization has been to downplay the role of emissions mitigation and emphasize local forms of climate change adaptation. We explore this issue through the example of corporate responses to the catastrophic coral bleaching of the Great Barrier Reef during 2016/2017 and the process of corporate political activity which encouraged a shift in public debate from climate mitigation to adaptation.
In particular, we identify how corporations create a hegemonic ‘common sense’ view of politically contested issues and how interests are politicized and enacted in public debate. Through these actions, corporate solutions and self-regulation become accepted as the logical response to the climate crisis. Despite the worsening impact of climate change, these corporate responses ensure the maintenance of business as usual.
“It was catastrophic, gut wrenching and incredibly disturbing. That was one of the most comprehensive hard coral cover sites on the Reef and all of the coral in the shallows was fully bleached. That’s when we knew that we’d lost that site.”
Our guide’s words cut through the sea breeze blustering over the stern of our dive boat. Our tour group of about thirty, were sitting in our wetsuits, warming ourselves after another dive on Opal Reef off Port Douglas, listening to Paul describe his reaction to that first coral bleaching event and trying to make sense of what we had just experienced: “In 2016, the world lost a lot of its living coral and the Great Barrier Reef was no exception. What’s causing it is global warming induced rises in water temperature.” That day we had seen stunning congregations of staghorn and branch coral, delicate sponges, vivid blue giant clams, large boulder corals metres across, and myriad fish coloured in reds and blues and greens darting in and out of our way. But we had also seen large swathes of dead coral on the top of the reef, their skeletal remains just discernible behind a shroud of algae.
Recently I started exploring the possibility of combining my decade-long research focus on the climate crisis with my passion for photography. This idea began to develop after several years of photographing climate protest rallies and environment related events at the University of Sydney. However, the idea of a dedicated photography project documenting Australia’s fossil fuel addiction and the physical, social and political consequences of climate change really started to gel as I stood on banks of the Hunter River in Newcastle a few months back watching another huge bulk carrier entering the world’s largest coal port to take on another load of climate destroying fossil fuel.
Human civilization has now irrevocably altered basic Earth systems. Two centuries of industrialisation and economic globalization based upon the rapacious exploitation of fossil fuels, and the destruction of forests, lands, oceans and cultures has disrupted the Earth’s atmosphere and ice caps and devastated the biosphere. This has occurred at such a scale and pace that Earth scientists argue we are leaving the Holocene geological epoch and entering the more volatile ‘Anthropocene’.
In the article we explore how ‘impact’ has become the buzzword of the contemporary university, and the value of academic research is increasingly judged by government, administrators and industry in terms of its contribution to economic growth and productivity. For example, the Australian Research Council (ARC)’s Research Impact Principles and Framework (2015) states that:
‘the Australian Government recognises the importance of research, science and innovation for increasing productivity and wellbeing to achieve long term economic growth for the Australian community’.
The cover of Christopher Wright and Daniel Nyberg’s Climate Change, Capitalism, and Corporations features the artwork Insatiable by Theodore Bolha and Christopher Davis. The image is dirty, brooding and apocalyptic. At its centre is a naked man, bent over and screaming. An industrial landscape weighs heavy on his back as black smoke pumps into the murky sky. As if about to fall to his knees and crawl, he follows a small group of wild animals all heading to a precipice, seemingly unaware of their impending doom. The image is suggestive of humankind’s bleak destiny wrought at the hands of its own creation yet seemingly beyond its own control. It is an ominous and pessimistic portrayal of the effects of an insatiable industrial machine. Continue reading Approaching the precipice? A review of Climate Change, Capitalism and Corporations→